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Fernando Amorsolo  1892-1972 Philippine National Artist

The Philippine artist Fernando Amorsolo (1892-1972) was a portraitist and painter of rural landscapes. He is best known for his craftsmanship and mastery in the use of light.

Fernando Amorsolo was born May 30, 1892, in the Paco district of Manila. At 13 he was apprenticed to the noted Philippine artist Fabian de la Rosa, his mother's first cousin. In 1909 Amorsolo enrolled at the Liceo de Manila and then attended the fine-arts school at the University of the Philippines, graduating in 1914. After working three years as a commercial artist and part-time instructor at the university, he studied at the Escuela de San Fernando in Madrid. For seven months he sketched at the museums and on the streets of Madrid, experimenting with the use of light and color. That winter he went to New York and discovered the works of the postwar impressionists and cubists, who became the major influence on his works. On his return to Manila, he set up his own studio.

During this period, Amorsolo developed the use of light--actually, backlight--which is his greatest contribution to Philippine painting. Characteristically, an Amorsolo painting contains a glow against which the figures are outlined, and at one point of the canvas there is generally a burst of light that highlights the smallest detail.

During the 1920s and 1930s Amorsolo's output of paintings was prodigious. In 1939 his oil Afternoon Meal of the Workers won first prize at the New York World's Fair. During World War II Amorsolo continued to paint. The Philippine collector Don Alfonso Ongpin commissioned him to execute a portrait in absentia of Gen. Douglas MacArthur, which he did at great personal risk. He also painted Japanese occupation soldiers and self-portraits. His wartime paintings were exhibited at the Malacanang presidential palace in 1948. After the war Amorsolo served as director of the college of fine arts of the University of the Philippines, retiring in 1950. Married twice, he had 13 children, five of whom became painters.

Amorsolo was noted for his portraits. He made oils of all the Philippine presidents, including the revolutionary leader Gen. Emilio Aguinaldo, and other noted Philippine figures. He also painted many wartime scenes, including Bataan, Corner of Hell, and One Casualty.

Amorsolo, who died in 1972, is said to have painted more than 10,000 pieces. He continued to paint even in his late 70s, despite arthritis in his hands. Even his late works feature the classic Amorsolo tropical sunlight. He said he hated "sad and gloomy" paintings, and he executed only one painting in which rain appears.

"BookRags Biography on Fernando Amorsolo." 15 July 2006. <http://www.bookrags.com/biography/fernando-amorsolo/index.html>

 

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 ATIS AT LANZONES

approx  16"  x  11" (14 ct)

220 x 150 stitches, 39 colours

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 TINIKLING

approx  17 1/4"    x  12" (14 ct)
240 x 162 stitches, 35 colours
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 FARMER

approx  17"    x  12" (14 ct)
240 x 170 stitches, 52 colours
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PORTRAIT OF FERNANDA DE JESUS  MAIDEN WITH PALAY STALKS THE YOUNG LASAK
approx 15 1/2" X 19 1/4" (14ct) approx 12 1/4" x 18" (14 ct) approx 18" x 14"(14ct)
215 x 270 stitches 61 colours 170 x 250 stitches 67 colours 250 x 196 stitches 71 colours
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INA AT ANAK   PLANTING RICE    THE CARABAO SLED
approx 11" x 14" (14ct) approx 14" x 10" (14ct) approx 18" x 13" (14ct)
150 x 190 stitches 70 colours 200 x 140 stitches 64 colours 250 x 180 stitches 59 colours
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GIRL WITH A COCONUT  THE CONFECTION OF THE FILIPINO FLAG  WINNOWING RICE 
approx 14" x 16 1/2" (14 ct) approx 20" x 14 1/2" (14ct) approx 14" x 10" (14 ct)
200 x 230 stitches 60 colours 280 x 203 stitches 55 colours 180 x 240 stitches 68 colours
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